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Kosmas Lapatas | pianist

Pianist Glyfada, Greece 37 Followers
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Recent blog

How to make the most out of your piano practice sessions and improve your skills more efficiently.

Practicing the piano can be a daunting task, especially if you don't have a clear structure in mind.

Practicing the piano is a skill that requires dedication, discipline, and patience. Here are some tips on how to practice piano effectively:

Plan your practice: Create a schedule and stick to it. Make sure to allocate time for warm-up exercises, technical exercises, repertoire practice, and sight-reading.

Sit up straight: Keep your back straight, shoulders relaxed, and feet flat on the ground.

Position yourself correctly: Sit at the center of the piano, with your elbows at a right angle and your forearms parallel to the ground.

Use the right bench: Use a bench that allows you to adjust the height so that your elbows are at a right angle and your forearms are parallel to the ground.

Keep your wrists relaxed: Keep your wrists straight and relaxed, not bent or tense.

Keep your fingers curved: Curve your fingers slightly and keep them relaxed, not tense or straight.

Use the right hand position: Position your hands over the keys with your fingers slightly curled, and keep your hands and fingers relaxed.

Keep your head level: Keep your head level and avoid leaning forward or backward.

Use the right pedal technique: Use your foot to press the pedals, not your leg or ankle, and keep your heel on the ground.

Take breaks: Take breaks regularly to prevent fatigue and tension in your muscles. Taking breaks during practice can help you maintain focus and avoid burnout. Make sure to stand up, stretch, and take a few deep breaths before returning to your practice.

Use a metronome: A metronome can help you improve your timing and accuracy. Start slowly and gradually increase the tempo as you become more comfortable.

Set goals: Set achievable goals for each practice session. It could be learning a new piece, improving your technique, or focusing on a specific section of a piece.

Warm-up: Start your practice session with a warm-up. This could be scales, arpeggios, or any exercises that help to warm up your fingers and improve your technique.

Break it down: Break down your practice session into smaller sections. Focus on one section at a time until you have mastered it before moving on to the next one.

Practice slowly: Start practicing at a slow tempo and gradually increase the speed. This will help you to improve your accuracy and muscle memory.

Practice regularly: Consistency is key. Try to practice for at least 30 minutes to an hour every day. Practice regularly to build up the strength and endurance you need to maintain good posture while playing the piano

Record yourself: Recording yourself can help you identify areas that need improvement. Listen back to your recordings and make note of areas that need work.

Listen: Listen to recordings of professional pianists playing the pieces you are learning. This can help you to gain a better understanding of the piece and how it should sound.

Get feedback: Seek feedback from your piano teacher or other experienced pianists. They can provide valuable insights and help you to improve your technique.

Repertoire practice: Once you're warmed up, move on to practicing your repertoire. This could include pieces you're working on for performance, as well as sight-reading exercises to help improve your reading skills.

Technique practice: Take some time to work on specific technical challenges in your playing, such as finger strength, accuracy, and speed. Focus on specific passages that you find difficult and try to break them down into smaller parts to work on.

Theory and ear training: Spend some time each session working on music theory and ear training. This could include studying music theory concepts or practicing intervals, chord progressions, and other ear training exercises.

Improvisation: Set aside some time for improvisation and exploration. This can be a great way to develop your creativity and musicianship, and can be especially helpful if you're interested in jazz or other improvisational styles.

Cool-down exercises: End your practice session with some cool-down exercises to help prevent injury and reduce tension in your muscles. This could include stretching, relaxation techniques, or other exercises to help you wind down after a long practice session.

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About Kosmas Lapatas | pianist

Classical Film Soundtracks Jazz

AWARD-WINNING PIANO PROFESSOR | INTERNATIONAL COMPETITIONS JUROR | PIANO AMBASSADOR

ALINK-ARGERICH | ACMH | ATTM | BTHVN | FMIC | HELLOSTAGE | IYMC | KEMA | LYPCO | MSA | NTD | WCMF | WPTAIPC | TONEBASE | ТРИУМФ

https://lypco.co.uk/portfolio-items/prof_lapatas/


Multi-Award winning piano professor Kosmas Lapatas studied Classical, Modern and Jazz Piano, Tonal Harmony, Counterpoint, Computer-Aided Composition, Musicology, Music Technology, Music Production and Music Therapy under distinguished Harvard, Yale, Oxford, Julliard, Berklee, Mannes, Curtis, Gnessin, RAM, RCM, Mozarteum and Hellenic Conservatory faculty.

In 1995 he committed himself almost entirely to private and group teaching, composition & recording, piano seminars, masterclasses, workshops & piano camps. Many of his 600+ students have been accepted to Berklee, Brown, Cass, CUNY, ETH, Freiburg, Harvard, Hunter, Kingston, Leeds, Royal Academy, Strasbourg, Trinity, Tufts, UCL, among many others and have excelled in auditions, certificates, diplomas, masterclasses and twice at the Eurovision Junior.

Prof Lapatas has attended countless piano pedagogy lessons under Ax, Bavouzet, Berman, Bernstein, Borisovna, Chiu, Dinnerstein, Fleisher, Graffman, Lowenthal, Ohlsson, Sergeevna, Speidel, Toufexis, Traganas and Vardi among many many others. He also attended School Pedagogy, Music Pedagogy, Music Technology, Sonic Arts, Early, Modern and Post-Modern Music, Chamber Music & Ensemble Conducting lessons with Brooks, Coopersmith, Creviston, Cuthbert, Di Paolo, Evans, Greenberg, Harrell, Hatzinikos, Hilton, Humberstone, Lawrence, Lubov, Ludwig, Robison, Shinn, Whittington, Williams and Wright.

His tutors were trained by iconic classical musicians such as Arrau, Baumgartner, Boulanger, Boulez, Brailowsky, Corigliano, Cortot, Curzon, Enescu, Gornostaeva, Janis, Hindemith, Horowitz, Horszowski, Kapell, Kempff, Kocsis, Lhevinne, Lateiner, Marcus, Messiaen, Naumov, Neuhaus, Neumann, Ogdon, Orff, Pires, Samaroff, Schnabel, Sebok, Serkin, Skoda, Svetlanova, Vengerova, Vlassenko and Xenakis.

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